sort of unrelated to the thesis but on the topic of subculture i think all your points about music scenes sort of fading physically is why subcultures like (modern) hyperpop have seen such a rise; movements whose core aesthetics and interactions all are specifically designed to be extremely online
Yes!! So much of it is completely removed from live performance which used to form the basis of every subculture, but now it’s built around finding an online audience or community
sort of unrelated to the thesis but on the topic of subculture i think all your points about music scenes sort of fading physically is why subcultures like (modern) hyperpop have seen such a rise; movements whose core aesthetics and interactions all are specifically designed to be extremely online
Yes!! So much of it is completely removed from live performance which used to form the basis of every subculture, but now it’s built around finding an online audience or community